The Story of Sabotage – Roger Waters and Mona Miari
Video Interview with Maurice Jacobson.
What should be told as one of the greatest peace projects, a collaborative artistic statement between a Jewish American filmmaker who lived in Gaza, a Palestinian singer and a British rock star has instead turned into one of sabotage and slander, literally pitting an old Jewish man into a homeless shelter and greatly damaging a project that championed many Gazan artists and journalists.
Professionally for me, it was one of the saddest moments of my life to see how evil the business can be when egos and narcissim are at play. Instead of pursuits of collaboration and respect, the back story became one of undercutting, silencing, slandering and bullying . . . it’s astonishing to me how people with power and position and those who want it will roll right over the very people who have helped them. e
Somehow it mirrors the entire story of Israel and Gaza. And I won’t be comfortably numb by ignoring what Mona and Roger did to filmmaker Maurice Jacobson as well as to other Gazan artists and journalists.
Full credit for the project Comfortably Numb ReImagined should go to filmmaker Maurice Jacobson who busted his butt for almost ten years working with Gazan artists and journalists to make a film to share their plight. Maurice, a Jewish man, had lived in Gaza and became very connected to many Gazan artists and journalists, a narrative that completely upsets Israel’s story that Gaza was dangerous for any Jewish person.
Maurice had the vision, after hearing Mona Miari perform in New York to work with her for the film We All Live in Gaza, which is still being edited. Maurice wanted Mona to sing Arabic lyrics to Roger Water’s song Comfortably Numb. And it was a brilliant idea.

Maurice flew Mona to Los Angeles and I came down from San Francisco to help with logistics, etc, as I had been helping as a producer on this project for a year, literally putting myself into debt as I didn’t feel right taking money on a project when people were getting bombed. I was convinced and I’m still convinced Maurice is a master visionary.
Maurice didn’t have a lot of money left from the original funding from Roger Waters but he had enough to fly Mona and literally spend the last of his money on her travels, accommodations and pay her $500 a day. . . usually artists provide their own demo tape, but Maurice was convinced this project needed to live and Mona was the right one.
It became clear to me pretty quickly something didn’t feel right. A four day event that Maurice had budgeted turned into a near two week endeavor depleting all the money we had. I knew I wasn’t going to get paid the little I needed to pay bills, and I was already under great stress as my dad was dying of cancer, a man who had stood in the 1981 National Strike against the Republican Party, GOP “Hero” Ronald Reagan. The union of air traffic controllers were made of mostly of Vietnam Veterans, fathers that I had grown up with and knew their stories. They had striked to demand politic honesty and fair wages when they learned they had been politically bamboozled by the GOP. Many were fired, went broke and a few committed suicide following that strike, as we were construed in the newspapers as the “bad guys.” I was 13 years old and I remember waiting in fear for the FBI to arrest my father. My dad had instilled in me at an early age “respect”. I had to return back home but helped the project remotely.
Mona wanted a friend from New York to come out to help with the project. Maurice, who is gracious, and was trying to make things good for her, agreed. He had set them both up in a nice Airbnb with a food budget which they pushed with a large bill. He said to me that the budget that they had just used at the grocery store for a few days was his budget for the month
The idea was Mona’s friend would help edit. But she didn’t and instead wrote out a budget for Maurice’s film which was about the most laughable budget I had ever seen. . . basically paying themselves a huge amount of money while Maurice got paid hardly anything! Let’s remember, this was Maurice’s project and had been literally driving an UBER at 84 years old at times to earn money to pay for the project.
I called Maurice once, I remember, and asked if the new person from New York was editing. “No.” he said, disgrunted. They were running him over. They were literally trying to steal this entire project from him. He had gotten them a four bedroom Airbnb, originally thinking they could all stay together and work on the project. But, he didn’t feel right about it after the arrangements had been made, as he began to feel uneasy and trust began to disintegrate.
After days of recording, Mona did the unthinkable, an invisible line in the industry that you don’t cross, stepping over the line to your producer’s funder, his contact, his relationship, but she did it. She reached out directly to Roger Waters without Maurice’s knowledge. It was some days later I sat with Mona on the phone while she cried her eyes out and started making claims about Maurice’s integrity. I tried to be reasonable and gentle with her. . . she’s an artist and she’s young. I want to be her support but I also began to see she was going to go over Maurice’s head and go for the big cheese. I began to wonder if she’d even deliver the demo tape to Maurice, as we had promised Waters, the funder, which would make Maurice look horrible if she didn’t. Afterall, this entire idea was Maurice and he had paid for it all, without even paying himself.
In December of 2024, Roger and Mona made outrageous claims and accusations about Maurice Jacobson who literally created and advocated the project – which is now released without even a credit to Maurice, Comfortably Numb with an Arabic mix. We had received an email from Waters that sounded like a raging, out of control child tantrum, with accusations that held no ground.
Their accusations impacted me, too, as well as a number of Gazan artists and filmmakers, literally thwarting years worth of work to tell the Gazan story, a project Gazan journalists had worked so hard to create. Later Mona reached out to all the artists we had been working with and created incredible slander about the both of us, nearly killing the entire project.
Roger and Mona should be ashamed of themselves.
Maurice Jacobson, think consummate Jewish hippie archetype who strives for peace and justice, has been an independent filmmaker for years, always financially extending himself on projects that are deeply meaningful and related to giving the voiceless and voice. He got involved with Gaza shortly after a heart attack some 12 years ago, a passion project to help share an injustice against people he had grown to respect and understand. He understood their story. He traveled to Gaza twice, lived there, became collaborators with Gazan artists and journalists. He doesn’t have a family himself and it seems the Gazans have served as his closest allies.
I met him during a screening in late December 2023 in Marin County. I recognized an old guy trying to do the right thing but taking on too much by himself. Being in a unique situation, as I was leaving my apartment to tend to my aging parents, I figured I could help him get organized, find editors and funders and finish film he called We All Live in Gaza (www.we-gaza.com). He had incredible footage, plus insiders who carried integrity and skill, and were dealing with the most horrific slaughtering we all witnessed on our phones. His film needed shaping, lots of editing, He was on track to create a powerhouse project.
Maurice and I were in New York in February/March 2024 building a team. But I had to return to my father who was preparing for radiation treatment. I was the sole caretaker who could drive him to the hospital every day for two weeks. I set Maurice up with an Arabic translator who also happened to be Palestinian. Bless her heart, she took Maurice out on the town one evening, and they attended a concert with Mona Miari. He called me right away and said that her music needed to be in the film.
Maurice is a dreamer. He thinks big even if his pocketbook isn’t. I keep telling him he has an angel on his shoulder, given every time he’s broke, somehow something comes through and he keeps plugging away on his film or art gallery presentations by the stunning artists he met in Gaza. Many of them are women. And he champions them. He was responsible for bridging the relationship between the artists of Gaza and Rebuilding Alliance, which gave many of the artists income as well as support
After our trip to New York and working with filmmakers inside Gaza, funding had run dry. We had to put the project on hold. Maurice went back to driving for UBER, and I went back to working with children. His project is good, but just not complete. Suddenly it seemed one of those angels arrived, with the name Roger Waters.
Getting a big name like his plus funding from him seemed like a blessing. With no contract, just what we all believed was trust and solidarity for a common cause, Maurice shared the vision with him, asked if he could use his music studio. Maurice wanted to fly Mona Miari from France to Los Angeles to record an Arabic version of Comfortably Numb as part of the soundtrack for the film. It was completely Maurice’s vision.
“Maurice, there are so many local singers who could do this. Why Mona? We don’t have the budget if you want this film completed.” I repeatedly said to him, sometimes feeling exhausted that his big ideas just kept getting bigger.
“She’s the one,” he smiled. He went on and on about the beauty of her voice.
In late November of 2024, I flew to Los Angeles from San Francisco, after lining up support for my parents while I was gone, worried all the time that my dad would have another situation that would send us back to the hospital. My poor mother was filled with worry, and had been leaning on me for support. I also was missing time with my son, his final year of high school, and the guilt was tremendous. But, perhaps, like Maurice, I had big ideas for peace in the world. I could not stand by comfortably numb while my tax dollars fed an atrocious slaughter of men, women and children without a diplomat’s voice, such as Jimmy Carter or former Senator George Mitchell. Where are our peacekeepers?
We picked up Mona at the airport. Maurice and I stayed in a cheap hostel, as we always did when traveling, and put her up in a nice room. We were booked at the music studio in two days and that’s when the dream hit reality. And it hit hard.
Roger Waters emailed demanding a zoom meeting with us and his producers. We all got online and it was clear something didn’t align. I wasn’t mentally prepared for what felt like an abusive, dominating and controlling tone instead of what I believed should have been a collaborative, supporting intention. He kept calling me Margaret, which pissed me off right away. There was no respect. I had just finished producing a film about global musicians and had had many interviews and shared collaborative work with some of our greatest global musical legacies, including Steve Winwood, Michael Narada Walden, Harry Belafonte as well as the featured master Brazilian guitarist José Neto. All of them showed humility and graciousness, generosity and absolute respect and professionalism, so I will ill prepared for Roger Waters incredible child like rudeness.
“I want a demo tape. What are you doing!” Etc. etc. This also stunned Maurice who had been completely and utterly transparent.
After the call Maurice, Mona and I talked. Mona is young. And to her credit, she took the opportunity in a positive way. She hustled to find a studio to record. Meanwhile our four day plan turned into a two week endeavor, plus expenses which completely broke us. Maurice stayed in a hostel and set Mona up in a nice Airbnb. Mona had a friend come out from New York, which Maurice paid for, believing she could help the filmproject. I flew back to San Francisco, to save money, recognizing we were going to run short. Then things turned very sour.
I got a string of calls from Mona, crying her eyes out. A distrust had grown, or perhaps an agenda. Mona was accusing Maurice of all sorts of things. . She not only started directly communicating with Roger Waters, but she began to create sabotaging stories about Maurice, including the idea that he wouldn’t pay her or book her flight back to New York. I tried to be the calm voice and ensured her not to worry. I knew Maurice would not do that, but Maurice was now beginning to lose trust in her. Was she going to deliver a demo tape that he’s paying her a big daily chunk of money to produce? Everything spun quickly out of control. With great reluctance, Mona did deliver the demo tape late at night, the day before we were to deliver it to Roger, as he had asked. But the damage had been done.
The following morning I met with Maurice. “Did you hear the demo?” he asked me. I had. And it was truly stunning, a kind of power that literally goes into your bones to make you feel something. But still, the ugly behavior of her and Roger had also played out. I wanted to know how Maurice was feeling about that, as it was clear Maurice was out of the game.
“It was a painful birth,” he said smiling.
We got a letter from Roger Waters accusing Maurice of all sorts of impropriety, including using Israeli music for the film, cheating the Gazan artists and worse. Mona reached out to all the artists Maurice had championed over the last ten years with art shows, exhibits and film projects, efforts that often left him broke. They lost trust during some of the darkest hours of the war, and it took a long time to re establish trust. The accusations were totally untrue and written so utterly nasty. The fact was, Mona sabotaged us in order to go for the big cheese, Roger Waters. And she did. And likely Roger saw opportunity himself.
I love music and I even like the song Comfortably Numb. Mona’s contribution to the new remix is incredible, and I wish her a stunning career. However, I will never live comfortably numb without speaking out and demanding a public apology from both Roger Waters and Mona Miari to both Maurice Jabobson and myself, as well as to the artists and the journalists involved in our project.
And I demand Roger Waters and Mona Miari credit Mauice Jacobson, who has championed the Gazan artists, befriended the Gazan people, spoke lovingly about them in a way that gives us all hope for co existence. Maurice is currently living in a homeless shelter in Los Angeles after losing the little bit that he had, such as a car and storage unit. He is still making videos about Gaza. He is also championing homeless artists in Los Angeles. I’m back working with children trying to recoup a year of making peanuts to champion that dream that Maurice had. . . peaceful co existence, respect and love for the arts and a humanity.
Maurice and I ultimately completed a short documentary, nevertheless, to honor the funding we did receive. It championed a true peacekeeper, US President Jimmy Carter The film received an award in Ireland, screening in several other nations, including Cambodia. A festival in Tehran has also asked for it. The project is leading to a new endeavor . . . a statue of US President Jimmy Carter in San Francisco, currently endorsed by Cambodia and China wants to cooperate. Other nations will be invited to participate, including the 50 who attended the 1945 Conference of San Francisco to establish peace in the form or The United Nations. Maybe it’s time we celebrate true figures who understood diplomacy, respect and a peaceful Middle East region.
I observed the children in the playyard. I found it amusing how the antics of Mona and Roger were not unlike that work I often face. Ultimately, an educational system failed, or we all have has forgotten what civility means. I see it all the time with children, the bullies and those who push others out of their way to get to the sandbox first for the bigger toys. As teachers, we ensure they face consequences of their actions to remind everyone you don’t get away with such behavior in a civil society, where peace can thrive and people can feel safe. First, you be kind and be respectful.
I keep telling Maurice he’s got an angel on his shoulder, as he just never gives up believing in peace and the power of art to heal. Something tells me that angel is still at work.
Maurice Jacobson also put Malak Matter in touch with Roger Waters, believing they could connect and Malak could get support. As in Water’s recent video message, they are now good friends. Malak will not talk to Maurice and accuses him of dishonesty.










